The performance 'Bacchus: Agave' is an adaptation of the ancient tragedy 'Bacchus' by Euripides. The production entirely strips away the divine and mythological elements from the text, instead situating the narrative of Agave and Dionysus within the context of the tragic lives of ordinary mortals.
"Enemy of the People" also opens an important dilemma in current environmental struggles—how to deal with something that is, on one hand, a source of pollution and contamination, but on the other hand, the main (often sole) source of income for the majority of the population in that area? Dr. Stockmann is a paradigm of the modern engaged man, but he is also an idealist who believes in the possibility of change and that sacrificing the present moment is necessary, regardless of how painful it may be.
A performance dealing with the breakdown of intimate worlds. Gathered under the roof of the house, where the destruction of their common, family world happened, the three characters of the play, reveal their individual breakdowns to each other.
The fact that Macedonian and Bosnian actors play in their mother tongues gives a special dimension to the concept in terms of the game of speech, the interrelationship between related languages and the communication on stage that makes this play exciting and attractive to watch
The spirits of the theater woke up. Monday, evening rehearsal. Suddenly the air on the stage is shaking. The spirits of the theater woke up. Monday, evening rehearsal. Suddenly the air on the stage is shaking.
Even a quarter-century after its initial premiere, the play Powder Keg by Dejan Dukovski, directed by Nina Nikolikj continues to resonate with contemporary themes that remain pertinent in the everyday experiences in the Balkans.
"Belgrade Trilogy" - a play about the reasons for leaving one's own country, but also about the reality that a person faces outside of it.
The main character in the story, Anna Bergman, is faced with her own choices and decisions, with the consequences of a difficult marriage, full of difficulties, violence, guilt and suffering. Thus, the image of a traditional community is a confrontation with one's own history, past and identity.
Each culture has its own predominant historical events, which in themselves are so dramatic that the theater takes them so ready and can use them as the basic material for building the plot. One of those great, key historical events is the Romanian Revolution of 1989 - taken as the main theme of British actress Cyril Churchill's play Mad Forest.
The play raises crucial questions about love, time, life and death. In this story, Rull easily guides us through the spiral path of endless intertwining of our lives, our memories and the love that no death can kill.
The Pelican is a project funded by the Swedish Embassy in Skopje. It encompasses a series of productions based on Strindberg's play 'The Pelican,' which has been translated directly from Swedish into Macedonian, Albanian, and Turkish languages. The culminating performance, presented as part of the student gatherings 'Skomrahi', blended elements from these shows into a unified and cohesive structure.
The focus of the play is that what is said (infidelity, insult, revealed lie, etc.) cannot be erased and forgotten. Most of the things that have had any effect on our emotional intelligence (whether they have caused happiness or sadness) cannot be undone in any way and affect the relationship with and to the person who made them.
Pinokio and Little Red Riding Hood is a children's theatrical production written by Dragana Lukan Nikoloski and directed by Nina Nikolikj. It reimagines beloved characters within a fresh fairytale setting, offering children an entirely new and enchanting journey.
Trembling is a theatrical production directed by Nina Nikolikj, based a play by Dragana Lukan Nikoloski. Drawing inspiration from the life and works of Anton Pavlovich Chekov, the play/performance delves into the intimate aspects of his love life.
Fool for Love marks the graduation theater production of director Nina Nikolikj. This compelling performance explores the delicate boundary between love and hate within relationships, while also examining the intricate link between the characters' realities and their imagined worlds.
No Norms, No Rules is a choreographic theater performance staged at the Cultural Center CK. It pushes the boundaries of storytelling by fragmenting the narrative across three distinct spaces, relying solely on body language and facial expressions to convey its message.
Asleep is a chorographical stage performance inspired by Chekov's Three Sisters.
